Thursday, July 31, 2008

FRAMED #06 – Finding Your Film Project

FRAMED #06 will feature filmmakers whose films are screening at this year's MIFF, including legendary director Paul Cox discussing his new film SALVATION, outstanding young director Amiel Courtin-Wilson talking about his two new films BASTARDY and CICADA, and creative team behind CELEBRITY: DOMINICK DUNNE, Kirsty de Garis, Timothy Jolley and Daryl Dellora. Our speakers will discuss finding 'the right film project' - how do you know when it's the right project or right story for you? And once you've found it, how do you get your project up?

Speakers:
Paul Cox, director/ writer (Salvation, Man of Flowers, Innocence, Vincent, Nijinsky)
Amiel Courtin-Wilson, director/ writer (Bastardy, Cicada, Chasing Buddha)
Kirsty de Garis and Timothy Jolley, directors (Celebrity: Dominick Dunne)
Daryl Dellora, producer (Hunt Angels, Against the Innocent)

When: Thursday 31 July 2008, 12.30 - 2pm
Where: Digital Harbour Theatrette, Innovation Building, 1010 Latrobe St, Docklands

BASTARDY (Dir. Amiel Courtin-Wilson)


PAUL COX

Born in Holland and settled in Melbourne, Paul Cox is an auteur of international acclaim. He is one of the most prolific makers of films in Australia, with numerous features, shorts and documentaries to his name. He is the recipient of many special tributes and retrospectives at film festivals across the world, including a major retrospective at the Lincoln Centre in New York in 1992, and he is the subject of Alexander Bohr’s 1997 documentary Ein Fremder In Der Welt (A Stranger in the World).

He migrated to Australia in the mid-'60s, had training in photography, and taught photography for many years at Prahran Technical College. His first films were short impressionistic pieces. In the mid '70s he began making low-budget features, and has fiercely stuck to the ideals of low-budget and artistic filmmaking.

Throughout his career, Cox has received numerous international awards. These include Best Film at the 1982 Australian Film Industry Awards for Lonely Hearts; Best Film & Best Director at the 1985 Houston Film Festival; Best Director at the 1984 Rio de Janeiro Film Festival; and Best Director, Actor and Screenplay at the 1984 Australian Film Industry Awards for My First Wife.

Man of Flowers premiered in Un Certain Regard at the Cannes Film Festival in 1984, and went on to win Best Film at the 1984 Valladolid Film Festival as well as Best Foreign Film at the 1991 Warsaw Film Festival. Cactus premiered in Director’s Fortnight at the Cannes Film Festival in 1986 and Vincent, his docudrama on the life and death of Vincent Van Gogh (narrated by John Hurt), won the Jury Prize at the 1988 Istanbul International Filmdays.

A Woman’s Tale won the Grand Prix at the 1992 International Flanders Film Festival in Ghent as well as being selected for the 1992 Tokyo International Film Festival and Exile screened in competition at the 1994 Berlin International Film Festival.

More recently, Cox’s highly acclaimed feature Innocence (2000) won massive audience and critical acclaim, including the Grand Prix of the Americas (Best Film) and the People’s Choice Award at the 2000 Montreal World Film Festival; the FIPRESCI Critics Award at the Taormina International Film Festival; Best Film at both the Vlissengen and Saint-Tropez Film Festivals; third prize in the Toronto International Film Festival’s People’s Choice Awards and 5 Australian IF awards including Best Film, Independent Filmmaker of the Year for Paul Cox, and Best Actress for Julia Blake. The film was also awarded the Marquee Audience Favourite Award at the CineVegas International Film Festival 2000. Paul's new film Salvation is screening at MIFF 08.

AMIEL COURTIN-WILSON
Combining visceral imagery with highly personal stories, Amiel Courtin-Wilson's unique directorial style has evolved from working in documentary and drama over the last thirteen years.

After making his first film at age 9, Amiel's short film Charlie's Toy Meets Madeline Moritz won the Longford Nova Award at the 1996 St Kilda Film Festival when he was 17 years old.

In 1998, Amiel directed and produced the feature documentary Chasing Buddha which premiered at Sundance in 2000 and was nominated for an AFI for best direction. Chasing Buddha also had a successful theatrical season in both Sydney and Melbourne and went on to win a string of awards including Best Documentary at both the 2000 Dendy Awards and the 2000 IF Awards.

In 2000, Amiel co-directed the docu-drama Islands which won the Documentary Excellence Award at the Real Life on Film Festival (2001), Best Short form Documentary at the 2001 ATOM Awards and went on to tour the U.S. for a year in 2002 as part of the Margaret Mead International Documentary festival.

After collaborating with Opera Australia and the Chunky Move contemporary dance company, producing a series of music clips for SBS and Film Victoria and directing several successful music clips of his own, in 2003 Amiel directed the short film Adolescent which premiered at the Melbourne International Film Festival. As a result of this screening Amiel went on to participate in the inaugural Accelerator program as part of the Melbourne Film Festival in 2004.

Amiel has currently completed directing short film Cicada; the feature length AFC/ABC funded documentary Bastardy; the feature length theatrical documentary Catch My Disease about renowned Australian pop singer Ben Lee; and the documentary Til Hell Freezes.

Amiel's most recent short film On the Other Ocean had its world premiere at the Melbourne International Film Festival in 2006 and his upcoming feature projects include the AFC Indivision-developed drama Warm Blood and the black comedy High School.

Amiel has also worked as a freelance journalist for Inside Film and Metro Magazine, exhibited his video installation work internationally and lectured at institutions, conferences and festivals including VCA, RMIT, Australian Film Television & Radio School, Melbourne International Film Festival, the Australian International Documentary Conference and the University of California Los Angeles.

DARYL DELLORA
Daryl Dellora has been making documentaries for many years. He is an award-winning writer and director and he executive produced, co-wrote and directed his first feature length film Against The Innocent in 1989. Daryl has been a recipient of an AFC Documentary Fellowship and in 1991 his Mr Neal Is Entitled to be an Agitator won the Australian Human Rights Award. In 2005 he was accepted to the prestigious Rockefeller Foundation study centre in Bellagio. Daryl co-produced the feature Hunt Angels (2006) and has worked closely with producer Sue Maslin through their company Film Art Doco on a raft of documentary films including The Edge of The Possible, A Mirror to the People, Conspiracy, The Highest Court and Koories and Cops. In 2006 Daryl wrote and directed the new media project www.williambligh.com.au which is currently available on ABC on-line. Daryl's first film Hollywood Ten, Melbourne One screened at the Melbourne Film Festival and was nominated for an AFI award. Daryl's films have screened and sold all over the world including in the South East Asia, US, UK, France, Spain, Italy, Germany, Austria, Portugal, Louisiana Museum Denmark, and the Museum of Modern Art Ljubljana, Slovenia.

TIM JOLLEY
Tim Jolley graduated from the VCA School of Film and TV in 2004, where he completed the Post Grad. Dip. (Producing). At the VCA, Tim produced two acclaimed short films, Tin Truck and Blue Tongue, both with writer/director Justin Kurzel. Blue Tongue screened at the Cannes Film Festival in 2005 in the Critic’s Week section. The film also screened at the New York Film Festival, the Oberhausen Short Film Festival and the Melbourne International Film Festival, where it won the prize for Best Australian Short Film. Celebrity: Dominick Dunne is Tim’s debut feature length documentary which he co-wrote, -directed, and –produced with his partner, Kirsty de Garis. Prior to pursuing his passion for filmmaking on a full-time basis, Tim worked for the international corporate strategy consultancy, Bain & Co.

KIRSTY DE GARIS
Kirsty de Garis completed an Arts degree at Sydney University in 1998, where part of her studies focused on the adaptation of books into films. She began her journalism career at 'The Observer' newspaper in London, where she also completed a Masters degree at London Metropolitan University. At 'The Observer' Kirsty wrote a variety of arts-based features such as TV and book reviews, and current affairs in the arts sphere. A highlight of her time at 'The Observer' was a series of interview with people who whose lives had been developed into feature films – including Larry Flint, Bella Freud, Frank Serpico and Frank Abagnale Jr. She returned to Australia in 2004, where she secured a role in documentary at The Australians at War Film Archive, interviewing war veterans, The work took her across rural and metropolitan NSW, interviewing war veterans from World War Two, Vietnam and Korea. She developed skills in extensive, in-depth interviewing over long time periods. The material gathered by the archive is used as an oral history record & also for documentary films made about any conflict in which Australia has been involved. 2000 people were interviewed over the course of two years for the archive. It was during this experience that the idea formed about making a documentary film about Dominick Dunne, when she interviewed him for the Australian magazine 'Autore'. Kirsty currently lives in Sydney, Australia and works as a freelance journalist for China 'Vogue', 'Belle' and 'Vive' and has contributed to British 'Elle', 'New Woman', 'Cooler' and 'Heath & Fitness'. Celebrity: Dominick Dunne is her first feature-length documentary as co-director, -writer and –producer.

Thursday, July 3, 2008

FRAMED #05 – Get Smart! Getting Agent-Ready / Getting into the Screen

Come along and hear 2008 Cannes Jury Prize winner producer Stuart Parkyn and industry icon Sound Designer Gary Wilkins impart wisdom about the screen industry's do's and dont's in OPEN CHANNEL's free upcoming seminar FRAMED #05 - Get Smart! Getting Agent-Ready / Getting into the Screen Industry.

What's the relationship between the agent and the screen practitioner? Common feedback from previous Framed sessions has indicated that this is a topic that filmmakers are keen to know more about...

So, you've just graduated from film school - where to next? Getting on an agent's books, whether as a crew member, technician, writer, DOP or director requires certain experience. At what stage can you approach an agent for representation? What level of experience is expected for different practitioners? What are some of the common career pathways? Finally, we'll ask the panel about ways in which collaborations between the crew and the creative team can be strengthened. Speakers to include Stuart Parkyn, producer of Jerrycan which was recently awarded the Jury Prize for Best Short Film at the 2008 Cannes Film Festival.


Speakers:
Stuart Parkyn, Producer
Gary Wilkins, Sound Designer
Kristian Connelly, General Manager, Cinema Nova
Bridget Callow, Producer/ Production Manager
Kylie Smith, Marketing Manager, AT2
Sue Marriott, Facilitator

When: Thursday 3 July 2008, 12.30 - 2pm
Where: Digital Harbour Theatrette, Innovation Building, 1010 Latrobe St, Docklands


RESOURCES

FilmCrew Victoria: Getting Agent-Ready (PDF)
www.openchannel.org.au/framed/2008/05_filmcrew_victoria.pdf

The two main film technician/ crew agencies are:
Freelancers Promotions www.freelancers.com.au
Film Crew Victoria www.fcvic.com.au

Stacey Testro International represents writers, directors, producers, composers, directors of photography, and actors www.sti.com.au


AT2
Cast your own independent film using AT2's innovate new online casting tool iCast. The service is free to independent and student film productions. AT2 is an online tool, listing around 20,000 artists, that is used by professional casting directors to broadcast casting auditions to talent agents and freelance artists, specifying production dates, rates and role information. Agents and artists can submit to these roles by attaching their online portfolio and sending it back through the site. This means that casting directors aren't bombarded by emails with resume and photo attachments, rather AT2 sorts and organises the submissions by role and by agency, including contact details. AT2 provides a service to emerging filmmakers and have cast lots of work - the Matrix, Star Wars, Ghost Rider, Knowing, The Lion King, Priscilla, pretty much every TVC made in Oz, plus corporate work, student films, Tropfest entries, and more.

To find out more go to www.at2.com.au and click JOIN NOW


STUART PARKYN, PRODUCER

Stuart Parkyn completed a Masters degree in Producing at the Australian Film Television and Radio School in 2005. The six films he produced at AFTRS have won more than 40 awards and screened at 70 film festivals in 16 countries. In 2007, Stuart was nominated at the 79th Academy Awards in the category of Live Action Short Film for The Saviour. Festival highlights include winning the Slamdance Grand Jury Award for Best Narrative Short in both 2005 (for Splintered) and 2006 (for The Saviour); winning Best Film and Best Documentary at the 2005 St Kilda Film Festival (for Splintered and Blandville); and screening at the 2005 Annecy Animation Festival (for The Instructional Guide to Dating). Since AFTRS Stuart has produced television commercials, worked as a script assessor and has recently completed the Australian Film Commission funded short film Piranha. Prior to AFTRS Stuart worked in Melbourne, Sydney, Brisbane, Dublin and London in the areas of business management, marketing and internet development. Stuart currently developing two feature film projects and a television series. Stuart is the producer of Jerrycan which was recently awarded the Jury Prize for Best Short Film at the 2008 Cannes Film Festival.

GARY WILKINS
A 40 year veteran and industry icon, Gary is an award winning Sound Designer on a global scale. Gary started at Crawford Productions in the sound dept in 1964, and worked as the sound technician / recordist until 1975 on Homicide, Matlock Police, Ryan, The Box and a wide range of projects. As a testament to the quality and breadth of Gary's work, he has received Four MPSE Hollywood Golden Reels, Five A.F.I. Awards, 2 Variety Club "Sammy" Statues and Two Pan Pacific Sound Awards. In early 2006 Gary was admitted to the Cinema Audio Society (CAS) in the US which is a group limited to sound professionals of high experience and recognized ability. Membership to the CAS is currently restricted and Gary is one of but a few Australians who have been honoured with acceptance into the society. Gary has worked alongside directors such as Bruce Beresford, Peter Weir, Brian De Palma and John Boorman, with a staggering 800 TVCs, countless documentaries, TV Mini Series, and 67 Australian & International Feature Films to his credit, including Romulus, my Father, Ghost Rider, Mad Max, Breaker Morant, Crocadile Dundee, Evil Angels, to name just a few!

Gary has been a guest lecturer on sound at the VCA for more than eight years. He has also served as a State and Federal Councilor for the MEAA and is currently a committee member and spokesman for the Screen Technicians Association.

BRIDGET CALLOW
With over seven years experience as a producer and production manager for film and television in Australia, Bridget has worked on long and short form drama including international feature films, television series and documentaries for the ABC and Fox 8. Her debut feature as a producer is currently screening as a World Premiere at Tribeca Film Festival, New York, and she is in development of her second feature film, funded by the Australian Film Commission. As well as developing an independent producing slate she continues to freelance as a producer, production manager and documentary researcher. Most recently she production managed a feature for Cascade Films, working along side veteran producer, David Parker, followed by working with Melanie Coombs and Adam Elliot, on the $8 million animated feature Mary & Max.

KRISTIAN CONNELLY
Having worked in the Cinema Industry since 2002, Kristian Connelly has built a reputation for being integral to the success of limited release film in the Melbourne marketplace. After shepherding Village Cinemas’ upscale Cinema Europa/Rivoli Cinemas circuit from the fringe to the forefront of fine film exhibition, Kristian is now the General Manager/Marketing of Cinema Nova, which is now recognised internationally as Australia’s most influential and successful arthouse. Kristian has overseen the implementation of the Europa Movie Club (loyalty program), the creation of the world-first VTV on-line celebrity interview series, major events involving international and local talent, countless print and online campaigns as well as having guided both major and independent distributors to distribution success. Kristian has also participated in industry workshops and champions the importance of Australian Film wherever possible.

KYLIE SMITH, MARKETING MANAGER, AT2
AT2 is an online tool, listing around 20,000 artists, that is used by professional casting directors to broadcast casting auditions to talent agents and freelance artists, specifying production dates, rates and role information. Agents and artists can submit to these roles by attaching their online portfolio and sending it back through the site. This means that casting directors aren't bombarded by emails with resume and photo attachments, rather AT2 sorts and organises the submissions by role and by agency, including contact details. Artists pay an annual fee of around $100 to be on the site. It's free for casting professionals - and also for I-cast producers. AT2 provides a service to emerging filmmakers and have cast lots of work - the Matrix, Star Wars, Ghost Rider, Knowing, The Lion King, Priscilla, pretty much every TVC made in Oz, plus corporate work, student films, Tropfest entries, and more. Find out more at www.at2.com.au

SUE MARRIOTT, PRESIDENT, WIFT (Vic) & VICE PRESIDENT, MEAA (Vic), (FACILITATOR)
Sue Marriott currently works as a freelance film production and events management consultant and lecturer in arts management. She was an Industrial Organiser for 16 years with the Media Entertainment & Arts Alliance (MEAA) and a recent Film Victoria Board Member until 2004. Sue is currently President of Women in Film & Television (WIFT) Victoria and a Vice-President of the MEAA, Victorian Branch. As a lecturer at Melbourne University for the last two years, Sue taught Industrial Relations and Arts Management for Post-Graduate Diploma students. She has a recent broadcast screen credit as Production/Location Management Consultant for the documentary Endangered. Sue knows and has worked or consulted with, nearly every established producer/production company in Victoria and many interstate.